Piano Playing is Not Easy But You Can Learn

By Carla Jones

If you've ever thought about learning how to play the piano, I would suggest that you give it more time and more thought. My own experience, learning how to play, was that it was not as easy as I was thinking it would be. There are many more things that you need to learn in order to play the piano that most novices don't recognize. It's not a matter of just learning the right keys is to play but you also have to learn to read music.

So if you think about learning how to play a piano, I have some recommendations that I think that would help. First go online and see what resources you have available on the Internet. Recently piano playing has become more convenient with the Roll Up Electric Piano keyboards. There are a lot of free information items that will help you both to read sheet music, and also learn what keys to be used when playing the piano. There is no end to the amount of information online that will help you to get started learning how to play.

If you are still excited about learning how to play piano, I recommend that you either buy a piano keyboard or rent one. I would recommend the latter choice. When you're just beginning to learn to play the piano, I think it's best to rent your equipment because you never know how long you will stick with it. If the piano rental becomes more costly than purchasing it, then go ahead and buy the piano that you want. It would also be a good idea to look into getting the more convenient version like buying or renting a electronic piano keyboards. They are easy to move around and don't take up too much room.

Today, as I've said before, there is a ton of information available to you for no cost that will help you learn to play the piano. If you don't find good information online, then you can also go down to the library and find lots of information that will help you learn to play. Finding a good teacher is also very critical to your enjoyment of playing and to the speed at which you will learn. A good teacher would be someone who enjoys playing the piano themselves and has a long history of teaching other people to play. You can usually get recommendations from other people on who is the best teacher or teachers available in your area.

As you can see there are a lot of things to consider before you start your journey forward on learning how to play the piano. The best news is that there is a lot of free information online that can help you and there are some great instructors out there that love to play the piano and will show you how. Really consider getting a roll up piano first for the lower cost and convenience. I unfortunately didn't find it so easy I'm still struggling to learn to play to this day. So go find some good resources on learning to play the piano, rent an inexpensive piano, and find a good instructor. You'll be well on your way to mastering and learning this beautiful art. - 30455

About the Author:

For more information on a Roll Up Piano go to our blog where we have lots of roll up electric piano stuff.

Playing The Piano Simple Tips

By Carla Jones

If you've ever thought about learning how to play the piano, I would suggest that you give it more time and more thought. My own experience, learning how to play, was that it was not as easy as I was thinking it would be. There are many more things that you need to learn in order to play the piano that most novices don't recognize. It's not a matter of just learning the right keys is to play but you also have to learn to read music.

So if you're thinking about learning how to play the piano, I have some helpful tips that I think will make a difference. First go to the internet and see what information you have available online. Recently piano playing has become more convenient with the Roll Up Electric Piano keyboards. There is a lot of free information available that will help you both to read sheet music, and also help you learn what keys to be used when playing the piano. There is no end to the amount of information online that will help you to get started learning how to play.

If you are still interested in learning how to play piano, I recommend that you either buy a piano or rent one. I would recommend the latter choice. When you're just beginning to learn to play the piano, I think it's best to rent your equipment because you never know how long you will stick with it. If the piano rental becomes more costly than purchasing it, then go ahead and buy the piano that you want. It would also be a good idea to look into getting the more convenient version like buying or renting a electronic piano keyboards. They are simple to setup, move around and don't take up too much room.

These days, as I said above, there are a lot of resources available to you for free that will help you learn to play the piano. If you don't find good information online, then you can also go down to the library and find lots of information that will help you learn to play. Finding a good instructor is also very critical to your enjoyment of playing and to the speed at which you will learn. A good instructor would be someone who enjoys playing themselves and has a long history of instructing others to play. You can usually get recommendations from other people on who is the best teacher or teachers available in your area.

As you can understand now, there are a lot of items to consider before you start your new adventure on learning how to play the piano. The good news is there is a lot of material online that can help you and there are some great teachers out there that love to play the piano and will show you how. Really consider getting a roll up piano first for the lower cost and convenience. I really didn't find it so simple and I'm still trying to learn to play to this day. So go find some good resources on learning to play the piano, rent an inexpensive piano, and find a good instructor. You will be well on your way to mastering this beautiful art. - 30455

About the Author:

For more information on a Roll Up Piano go to our blog where we have lots of roll up electric piano stuff.

The Piano Concerto for the Left Hand

By Michelle Edward

One of the most astonishing stories in pianist history came from World War I veteran Paul Wittgenstein. A man with utter determination to make his dreams come true was surfacing in the pianist world.

All you have to do is see the Piano Concerto for the Left Hand in D Major, by French composer Maurice Ravel. It is a true testament to his brilliance, and will as man to do what he loves best.

Paul Wittgenstein was a concert pianist who had launched his career in the year before World War I broke out. Sadly, he lost his right arm during the fighting. After the war, Wittgenstein was not willing to admit that his dream of a concert piano career was over.

Determined to succeed, he began practicing with his remaining hand to improve his left-handed technique. He tried to arrange two-handed works to accommodate his one-handed state. In the late'20's Wittgenstein decided to approach leading piano composers of his day and commission works written intentionally for the left hand alone.

While many refrained from the idea, Sergei Prokofiev, Richard Wagner, Benjamin Britten, and Maurice Ravel gave him the help he needed.

One of the biggest issues Ravel had in the beginning was that he never wrote a concerto, even though he had written several piano solos. When Wittgenstein approached him, he had already started working on Concerto in G, but it was intended for a two-handed player. During this time he was at a stalemate, and so he decided to take Wittgenstein up on his challenge. During Ravel's research of left-handed Etudes of Camille Saint-Saens, he began to believe his left-handed Concerto would be a noteworthy addition to piano repertoire.

Once complete, his masterpiece portrayed a dark piece of work about the struggles of a one-armed pianist. It was also about the long road to reinventing himself after a tragic injury. Turns out the craftsmanship was brilliant, and listeners couldn't even tell it was being played by someone with one hand.

Many experts agree that this piece allowed for 3 sections that were unlike other concerti. The Piano Concerto for the Left Hand was set up with a Slow-Fast-Slow movement, as opposed to Fast-Slow-Fast.

Truth be told, Wittgenstein was famously known for being hard to please. Richard Wagner offered work as well, but Wittgenstein complained about the orchestration being too powerful for a single-handed pianist. Then of course when Prokofiev offered his work, Wittgenstein wouldn't even play it.

Even with the Piano Concerto for the Left Hand, Wittgenstein complained about the long solo cadenza right after the opening. During one instance he even told Ravel; "If I had wanted a solo piece, I wouldn't have commissioned a concerto." However, Ravel stood his ground, and over time, Wittgenstein began to like it.

The Concerto for the Left Hand by Ravel is not just a work of immense musical merit, but also a testament to the indomitable human spirit. - 30455

About the Author:

Are you interested in learning piano online? Then visit Michelle's website now to learn where you can take classical piano lessons online. You can be tickling the ivory in no time at all.

Maurice Ravel - Piano Concerto for the Left Hand

By Michelle Edward

Do you think a one-armed man could have a career as a piano soloist? For one determined young man, the answer was, "Yes."

All you have to do is see the Piano Concerto for the Left Hand in D Major, by French composer Maurice Ravel. It is a true testament to his brilliance, and will as man to do what he loves best.

Back before World War I, a concert pianist by the name of Paul Wittgenstein was trying to make his mark in the world. After being drafted, he sadly lost his right arm throughout the fighting. However, Wittgenstein didn't believe his concert piano career was over as a result.

Determined to succeed, he began practicing with his remaining hand to improve his left-handed technique. He tried to arrange two-handed works to accommodate his one-handed state. In the late'20's Wittgenstein decided to approach leading piano composers of his day and commission works written intentionally for the left hand alone.

Many felt this would not be feasible, but he eventually came across Sergei Prokofiev, Richard Wagner, Benjamin Britten, and Maurice Ravel who believed it was possible.

One of the biggest issues Ravel had in the beginning was that he never wrote a concerto, even though he had written several piano solos. When Wittgenstein approached him, he had already started working on Concerto in G, but it was intended for a two-handed player. During this time he was at a stalemate, and so he decided to take Wittgenstein up on his challenge. During Ravel's research of left-handed Etudes of Camille Saint-Saens, he began to believe his left-handed Concerto would be a noteworthy addition to piano repertoire.

The meaning behind his eventual completion was about the struggles of a one-armed pianist trying to overcome a tragic injury and reinvent himself. The craftsmanship was brilliant, and the construction left it impossible for listeners to realize it was only being played with one hand.

Though the piece has sometime been described as being in two movements, most experts agree that it is a piece written in one movement, but with three sections. Unlike most concerti, The Piano Concerto for the Left Hand is structured as Slow-Fast-Slow, rather than Fast-Slow-Fast.

While these individuals did all they could to please Mr. Wittgenstein, it was extremely difficult. When Wagner brought forth work, the complaint revolved around the orchestration being too powerful for a single-handed pianist. When it came to Prokofiev's suggestions, Wittgenstein simply wouldn't play them.

Even the initial thought behind the Piano Concerto for the Left Hand was negative. Wittgenstein believed the solo cadenza after the opening was too long. In fact, he told Ravel; "If I had wanted a solo piece, I wouldn't have commissioned a concerto." However, Ravel refused to change, and over time Wittgenstein began to like it.

The Concerto for the Left Hand by Ravel is not just a work of immense musical merit, but also a testament to the indomitable human spirit. - 30455

About the Author:

Are you interested in learning piano at home? Then visit Michelle's website now for tips on how to learn to play the piano by ear. You can be tickling the ivory in no time at all.

Maurice Ravel - Piano Concerto for the Left Hand

By Michelle Edward

Do you think a one-armed man could have a career as a piano soloist? For one determined young man, the answer was, "Yes."

All you have to do is see the Piano Concerto for the Left Hand in D Major, by French composer Maurice Ravel. It is a true testament to his brilliance, and will as man to do what he loves best.

Back before World War I, a concert pianist by the name of Paul Wittgenstein was trying to make his mark in the world. After being drafted, he sadly lost his right arm throughout the fighting. However, Wittgenstein didn't believe his concert piano career was over as a result.

Determined to succeed, he began practicing with his remaining hand to improve his left-handed technique. He tried to arrange two-handed works to accommodate his one-handed state. In the late'20's Wittgenstein decided to approach leading piano composers of his day and commission works written intentionally for the left hand alone.

Sergei Prokofiev, Richard Wagner, and Benjamin Britten were among the illustrious composers who answered Wittgenstein's call. And so did Maurice Ravel.

Ravel himself had never written a concerto before, but several piano solos. During this time he had been working on the Concerto in G, which of course was intended to be played with two-hands. After hitting a wall, he decided Wittgenstein's challenge may be what he needed to push forward. His research was uncanny, and as he studied the left-handed Etudes of Camille Saint-Saens, he believed his left-handed Concerto would be a noteworthy addition to piano repertoire.

The meaning behind his eventual completion was about the struggles of a one-armed pianist trying to overcome a tragic injury and reinvent himself. The craftsmanship was brilliant, and the construction left it impossible for listeners to realize it was only being played with one hand.

The biggest factor that allowed this to work, was the break-up into 3 sections. Normally, other concerto would have a Fast-Slow-Fast movement, but the Piano Concerto for the Left Hand was set up as Slow-Fast-Slow.

While these individuals did all they could to please Mr. Wittgenstein, it was extremely difficult. When Wagner brought forth work, the complaint revolved around the orchestration being too powerful for a single-handed pianist. When it came to Prokofiev's suggestions, Wittgenstein simply wouldn't play them.

For Ravel's Piano Concerto for the Left Hand, Wittgenstein's complaint had to do with the long solo cadenza just after the opening. "If I had wanted a solo piece," he is said to have declared, "I wouldn't have commissioned a concerto." However, as Ravel refused to change it, Wittgenstein performed the work as written, and later came to like it.

In the end, the Concerto for the Left Hand was a true testament to the indomitable human spirit. - 30455

About the Author:

Do you want to learn piano now? Then visit Michelle's website now to learn where you can take gospel piano lessons dvd. You can be tickling the ivory in no time at all.

Learn Piano From The Right Teacher

By Michelle Edward

Are you interested in learning how to play the piano? Would you like to tickle the ivories to the tunes of your favorite composers or pianists? Would you like to be able to create sweet music by hitting the right combination of black and white keys on the keyboard? If this is what you want there are several options that will make it possible to learn piano.

One of the most effective ways to learn piano is also the most traditional way. Many people learn piano with the help of a private teacher. You will have to secure a piano prior to looking for a teacher that will teach you to play. Once you have a piano, you will be able to find the perfect teacher, using these tips:

1. Select a piano teacher with adequate experience.

Okay, the teacher does not have to be a concert pianist or be the world's best teacher, in order for you to learn piano well. That said, the teacher should not have too much to learn himself or herself. In particular, look for teachers who can address certain weaknesses that you may have as a piano student. One of the best ways to learn this information is to simply ask about how successful the teacher's past students were.

2. Find out where the lessons will take place.

Some teachers will come to your home while you learn piano, but others might require you to come to their homes or studios for the lessons. While it is definitely convenient to take the lessons in your own home as you learn piano, sometimes it's a good idea to venture out of your comfort zone. Playing on various pianos can often help improve your piano playing skills.

3. Find out how long the lessons will be.

Typically, piano lessons for you to learn piano will be 30, 45, or 60 minutes. For beginners, it is recommended that you have shorter lessons to learn piano, to prevent you from being overwhelmed with everything. However, if you want more intense lessons, you will probably need longer sessions, such as for an hour or so.

4. Find out if the teacher hosts recitals.

After you have started to learn piano, recitals can cause some major stage fright. Did you know that more people fear public speaking than death? In any case, learn if the teacher makes participating in recitals mandatory for his or her students.

It is recommended that you hire a teacher that offers recitals. This will give you a way to showcase your ever increasing skills as you learn piano. A recital is a great way to share your talent with your family and friends, while boosting your overall confidence.

As you begin to learn piano, you might have no interest in playing in public If this is the case you might want to stay away from recitals. - 30455

About the Author:

Do you want to learn piano songs? Then visit Michelle's website now to learn where you can take beginner piano lessons online. You can be tickling the ivory in no time at all.

Musical Instruments - A Short Voyage Through Age

By Carl Keller

Musical instruments are maybe as old as the history of human civilization itself. Historians consent that no one has ever come up with an entirely reliable method for deducing the precise chronology of several musical instruments within different cultures.

And most experts propose that you do not evaluate and categorize musical instruments on the base of their complexity. As for an example, conception of the very first slit drums featured felling or hollowing out of large trees. But following that, people learned to create slit drums by prying open bamboo stalks. This was a technique simpler task.

Another erroneous idea, according to historians, would be to classify musical instruments on the basis of workmanship. This is because all cultures go forwards at special pace and levels. And they have access to different supplies.

As for an example, anthropologists trying to associate among musical instruments of 2 diverse yet contemporary cultures (conflicting in union, customs, and handicraft) unsuccessful to presume which instruments were more "aged".

Categorizing instruments in respect of geography is as sound partially inaccurate, since you cannot choose closely when or how cultures interacted with each other to split information.

The skill that lets you mark the chronology of harmonious instruments and their progress depends totally on archaeological works of art, or creative depictions, along with literary references. As data in a study path might be questionable, there might be several paths providing a much enhanced sequential picture.

Turn over the 19th century, music histories originate in Europe began with mythological descriptions of the method musical instruments had been made-up.

A few of these descriptions comprised of Jubal, Pan, and Mercury. The last one is believed to get successfully made a lyre (for the first time ever) out of a simple dried out tortoise case. But, modern historians diverge with such mythology and offer consistent anthropological speculations. - 30455

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The Ideal Age for Taking Piano Lessons

By Adriana Noton

Because of the many benefits of learning the piano, most parents want their children to take piano lessons. The question many parents have is: At what age should I enroll my child in a piano class?

Because children's brains are developing at a young age, learning while young helps a child retain knowledge throughout their adult life. Most experts agree that a child should begin piano lessons when they are quite young. Some children have taken lessons as young as four years of age. Whether your child is ready for piano lessons all depends on if they have the ability to participate.

The following are a few factors that a parent should consider when planning to enroll their child in a piano class:

1. You have to make sure your child can meet the mental requirements to sit through a piano lesson. Piano lessons can be 15 minutes, 30 minutes, or one hour, depending on the teacher's instructional methods. Can your child sit through a piano lesson or will he or she fidget and get up and walk away from the piano? Your child must be able to sit quietly. As well, can your child focus on one task for a specified length of time? That is, can he or she sit, listen, and follow directions? Or, does your child get frustrated quickly and have temper tantrums?

2. Piano lessons involve a minimal level of reading skills. A pre reading level such as the ability to distinguish between shapes is necessary. As well, your child should know the basics of the alphabet and know numbers. A child in pre-school/kindergarten should have these basic reading skills.

3. When learning to play the piano, one must be able to understand and follow directions given by the teacher. Does your child have good listening skills and follow directions when given a set of instructions?

4. Does your child show any interest in learning the piano? A child that is resistant may not be ready. Don't force your child as it will only cause him or her to resent the lessons. Help your child understand the benefits of taking lessons and that it is fun.

Enrolling your child in a piano class will involve practice at home. Most experts feel that a child will not successfully practice by themselves at home until they are the age of 8 or 9. This means that a parent will have to site with them during their practice with their child. It is important to use positive reinforcement techniques, such as praising the child when he or she does well. If they make a mistake, be positive about the importance of practice. Never harshly criticize a child for making a mistake. The child will just start to resent playing the piano and will eventually want to quit. As well, make music a part of home life so that your child will gain appreciation for music.

Providing your child with piano lessons is an exciting moment in a parent's life. It signifies your child is growing and learning new things. In order to ensure your child continues with piano lessons, be patient, supportive, and research a piano teacher to make sure your child is getting the best instruction. - 30455

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Make beautiful music with Oakville piano classes and voice lessons. Oakville piano store also offers a wide selection of grand pianos and used pianos.